In a little school in Cleveland, one wonderful woman gives herself to children of special needs, but after-hours, her voice may be the cure for the special needs of R&B; and Soul aficionados. Conya Doss finds that sweet spot of soul on the R&B; tip with a sound that is diligently modern, but tastefully classic. Her lyrics exude what you’d demand of an educator; thoughtfulness, intelligence, generosity and understanding. The music is a delicious spread of soft jazz guitar, hip-swaying rhythms, firm, snappy beats and slick Hip Hop styled production.

Doss has the delicacy of a Jill Scott, the depth of Erykah Badu and the flow of Indie Arie or Lauryn Hill, though the comparisons don’t do her right. It’s not that Doss outshines these songstresses of Soul; it’s that she takes us down her own side roads, on the way to groove.

For instance, the title track on her 2006 album, Love Rain Down (Conya Doss Songs-Unique Beat Recordings), is a funky little track that pours over Doss’ subtle vocal work that peaks and valleys throughout an almost hypnotic chorus. Love Rain Down is the third album after a highly acclaimed debut with A Poem About Ms. Doss in 2002 and her sophomore release, Just Because in 2004.

She’s lovingly referred to as Soul Music’s best kept secret, but often regard as a leading voice in the Nu-Soul arena. It’s easily understood once the pulsing guitar riff of “Tell Me Why” gives way to Doss asking “Tell me why is it always the ones you love…” The song is a gentle release of sadness that beautifully builds into a burning question of the inevitability of love’s paradox.

Love won’t let us forget, and Doss is a voice that sticks just the same if you dig the sounds coming out of the Nu-Soul movement. Though, her influence is broad, across the seas of classics from both Jazz and Rock, along with modern songwriters like Tracy Chapman, Mary J Blige, or Ani DiFranco. It’s a whirlwind sound that will dazzle and seduce you at a soul-gathering gala of influence; meaning, it’s music-lovers music, or as Doss says “Just good music.”

A Music X-Press Magazine, Who’s Got Next?, feature. www.musicx-pressmag.com

• www.conyadoss.com

• www.myspace.com/conyadoss

If you’ve been trying to find a place to get pre made beats that you can add your lyrics to, I’ve got a great place for you to check out. Soundclick.com has a great selection of beats and music to check out and a lot of it is free. They have tons of music and some that already have a hook with them. Some can be downloaded for free, some can be bought so that you have the exclusive rights to them. Read below and I’ll tell you how to find them, download them, and run them.

** Going to Soundclick.com and picking a genre**

1. Log onto www.soundclick.com 
2. Scroll down to the “Music Charts and Genres” section 
3. Click on “Beats/Instrumentals”

** Finding a beat you like **

1. Once you’re on the new page, scroll below the “Instrumentals Music Charts” list 
and locate the “Sub Genres” area. 
2. Pick a sub-genre and click it (Beats General, Classical, Jazzy beats, Instrumentals with hooks etc) 
3. On the new page you’ll have a list of beats within the sub genre that you’ve chosen. On most of them you’ll see Free Download or Free DL within the title. Obviously these you can download for free. 
4. Click on the title to preview the beat and see if it’s something you like.

* Downloading the beat ** 
1. Once you’ve previewed a beat that you like, click on the artist name. 
2. Scroll down the new page until you find a list of tracks by this artist. 
3. To the left of the song title, you’ll see three arrows. The first will be a downward facing arrow = Download. 
4. To Download, click this arrow. A download box will appear and check Save File.

** Accessing your new download ** 
1. Once it has finished download, locate the file to wherever it is that you have your downloaded files sent to. 
2. There you go, you now have your new beat on your computer to use. 
3. If you have a music program, like Acid, Mixcraft, fruity loops etc., you can open your new beat in that program and layer in some vocals on top of it.

I’m a Fiona Apple Maggart McAfee fan. I have been a Fiona Apple fan since the release of her album Tidal in July of 1996. As a teenager it was the dark relatable lyrics that drew me to Fiona’s music. As an adult it is her powerful voice, her talented songwriting abilities, her amazing piano skills and of course the still relatable dark lyrics that continue to draw me her music today, especially her 90’s album Tidal.

There are so many ways to describe Tidal: powerfully deep, romantically dark, emotional, funky, jazzy, raw, poetic, realistic…I could go on. Not one song from this album is disappointing to listen to. Each and every one is rich with lyric and melody. From the first track, Sleep to Dream to the last track Carrion I am swept into a long moment of anger, self discovery, pain, empowerment, lost love, thought and finally relief.

The instruments alone are something to applaud. The continuous and melodious presence of the piano in songs like Never Is A Promise or in Sullen Girl and the drums beat in Sleep to Dream make these songs as powerful and poetic as they are. The realistic and poetic lyrics give each song its depth and Fiona’s sultry voice makes and completes each song.

Individually the instruments, the lyrics and Fiona’s voice are great, but combined the instruments, the lyrics, and Fiona’s sultry voice are spectacular. Each song draws me in and takes me into a depth I don’t mind being in. Filled with emotions of a hard life and dark romance, I can relate to this album and I sing along with Fiona and ride the emotional roller coaster with her, releasing all those repressed emotions through her music.

I can definitely understand why this classic 90’s album is so popular.

In the history of musical theatre, there are names that have become legend. Rodgers and Hammerstein usually ring bells for even the casual audience member. Stephen Sondheim was a student of Hammerstein and learning at the hands of a master helped turn Sondheim into one of the most complex musical theatre composers ever. His shows test the usual constraints of what many are used to seeing and hearing in musicals. Let’s take a look at five of his best musicals.

5. “Sunday in the Park with George” (1984) Inspired by a painting, this complex musical follows an artist as he works on his masterpiece. Sondheim served as both lyricist and composer.

4. “Assassins” (1990) Always toying with edgy characters, Sondheim turned many famous assassins throughout history into a musical. Sondheim both composed the music and wrote the lyrics.

3. “Company” (1970) A concept musical, “Company,” really showed Sondheim’s willingness to take chances. It bounces around in time and follows a guy named Bobby as he balances wives and girlfriends and friends. Sondheim wrote the lyrics and composed the music.

2. “Sweeney Todd” (1979) A complex, operatic musical, “Sweeney Todd” soars in a terrifying way. It follows a demon barber who seeks revenge. Sondheim wrote both the music and lyrics.

1. “Into the Woods” (1987) Sondheim wrote the music and lyrics to this beloved musicals that turns well known fairy tales on their head and shows what happens after happily ever after ends.

Stephen Sondheim has many incredible shows not on this list, but I think this is his top five best shows that he created both musically and lyrically. Definitely, check out these amazing shows!.